A delayed train to Carlisle having given me an hour or two in hand at Newcastle, I resolved to indulge myself with Steffie Shields Moving Heaven and Earth Capability Brown’s gift of landscape.
Having recently partaken of viands and a bottle or two of the finest ginger beer, the occasion benign, and the mood as refreshing as a cool breeze on a hot day, I and my companions beg to offer an apology for having hitherto left unaddressed the life and work of the great architect James Paine (1717–1789).
My fellows at the Tatler’s Waste-bin have asked me to make this fourth be our final resumé of progress in the study of the work of Capability Brown during 2016, his tercentennial, his triumphal year. They fear lest we show too great a partiality for Dr Sarah Rutherford’s work. Here then is a further miscellany of observations largely gleaned from her text.